But I don’t blame Final Draft – they’ve created and marketed a great product that basically now dominates the screenwriting space.Īnd that domination didn’t come just through great marketing. $199 for Final Draft 12 is a big chunk of change for most aspiring screenwriters. The game has changed when it comes to simplicity and UI design, yet Final Draft still feels a bit stuck in that 90s Microsoft Word vibe, as does its cousin, Movie Magic Screenwriter, and many other writing apps, if we’re being perfectly honest.ĭislike 3) The price. But it was certainly mine, on two different sets of hardware over several years and on several iterations of operating systems.ĭislike 2) The interface/user experience. Is that everybody’s experience? I don’t know. Though it did crash on the Mac, it crashed a lot less than when I ran it on my pc. And to be certain, Final Draft is a solid app and deserves a lot of credit, and certainly not hate.īut what do I strongly dislike about Final Draft? Three things:ĭislike 1) Before I switched from a Windows machine to a Mac, Final Draft had a penchant for crashing in the most inopportune moments, no matter what version I ran. I reserve that word for shows like The Bachelor. What do I hate? Well, “hate” is a strong word. ![]() And 95% of the time, that’s either a PDF or, you guessed it, a Final Draft file.) (And if you’re running a script coverage service like me, you need to be able to open whatever file the client sends in. “Our goal,” McMenamin added, “is to give the writer (or development executive, producer, or anyone else involved in the filmmaking process) maximum flexibility to measure character traits without imposing our own definitions on what is measured.What do I love? Its ubiquity: Everybody uses it. “Their perspectives were integral to the development of the feature,” which is meant to be used when scripts are in process, as well as when they are finished. “We consulted with showrunners, writing staffs, guilds” and advocates for accurate depictions of the disabled, he said. “We just wanted to make sure we got this right,” he wrote, “which is why we didn’t release it right out of the gate” with the most recent update, Final Draft 11, in September 2018. The idea then came from Christina Hodson, a screenwriter (“Bumblebee,” the forthcoming “Batgirl,”), who reasoned that if scripts were the blueprint for blockbusters and indies alike, “it made sense to me that we can do a lot ourselves, before they even leave our desk.” She approached software makers, who developed and released tools in a matter of weeks.įinal Draft, the industry leader, took a more measured approach, Scott McMenamin, the company’s president, said in an email. The Final Draft feature comes almost a year after similar programs were instituted in other screenplay apps, starting with Highland software. In a statement, Geena Davis said the update “will make it easier for readers, writers and creative execs to more easily use a gender and intersectionality lens when evaluating scripts prior to greenlight, casting and production.” The Final Draft tool, a free add-on, was developed in collaboration with the Geena Davis Institute on Gender in Media at Mount Saint Mary’s University, which has been at the forefront of studying the underrepresentation of women on screen. ![]() It also will enable users to determine if a project passes the Bechdel Test, measuring whether two female characters speak to each other about anything other than a man. ![]() In an update announced Thursday, Final Draft - software that writers use to format scripts - said it will now include a proprietary “Inclusivity Analysis” feature, allowing filmmakers “to quickly assign and measure the ethnicity, gender, age, disability or any other definable trait of the characters,” including race, the company said in a statement. ![]() One of the most widely used screenplay programs in Hollywood has a new tool to help with gender equality and inclusion.
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